Alan Lord at Ultimatum Festival 1985-05-01
The following is a transcription of Alan Lord’s performance at Ultimatum, Wednesday May 1st, 1985 at the Foufounes Électriques bar and performance space in Montréal, Quebec, Canada. Alan Lord is the festival organizer and creator of Ultimatum. He is a Canadian musician, writer and engineer, and was a member of the bands Vex, the Marauders, Vent du Mont Scharr and Alan Lord & the Falling Men. An important figure for Montréal’s alternative punk scene, he is featured in Erik Cimon’s documentary “Mtl Punk -- The first wave” (2011). During his Ultimatum set, he performed four song-poems, including “Too Much Money," "Everybody," and “Ignoring the Future Today." The song-poems were accompanied by computer graphics and videos created by Boris Wanowitch aka Pierre Zovilé using an Apple II computer, and electronic music tapes by Boys du Sévère (Jean-Luc Bonspiel and Jean-Martin Mignault). “Too Much Money” and “Everybody” were originally performed by Lord’s 1984 band Débris. Lord wrote the music and lyrics for each of the song-poems, except for “Ignoring the Future Today” which was composed by Jean-Luc Bonspiel. The Ultimatum LP features “Ignoring the Future Today.”
Annotations
00:00 - 00:18
Chatter.
00:00 - 00:00
Words and music by Montrealer and Ultimatum organizer Alan Lord (me), except where noted otherwise. The electronic music of the four song/poems was executed by Boys du Sévère (Jean-Luc Bonspiel and Jean-Martin Mignault).
00:18 - 00:19
Cuts out, low static.
00:19 - 00:21
Chatter resumes.
00:21 - 00:26
Cuts out, low static.
00:26 - 00:30
Rustling [possibly someone playing around with the microphone].
00:30 - 00:39
Chatter resumes.
00:39 - 00:41
OK on peut y aller.
00:41 - 00:49
Room noise.
00:49 - 00:50
Glass clinking.
00:50 - 01:00
Room noise.
01:01 - 01:02
Video demi-pouce.
01:02 - 01:06
Room noise.
01:06 - 01:39
Bass, electric drums, electric keyboard.
01:08 - 01:08
Title: Too Much Money
01:39 - 03:09
Performs "Too Much Money", sings [English] [underscored by bass, electric drums, and electric keyboard].
01:44 - 01:44
The computer-generated videos projected for all the songs were created by Boris Wanowitch aka Pierre Zovilé, using an Apple II computer
03:09 - 03:44
Bass, electric drums, and electric keyboard.
03:44 - 04:47
Continues "Too Much Money".
04:47 - 04:52
Applause.
04:52 - 04:56
Merci pour la meilleure sono qu’avant [speech overlaps with applause].
04:52 - 04:52
Title unknown
04:56 - 05:26
Bass, electric drums, and electric keyboard.
05:26 - 06:54
Performs piece, speaks rhythmically [English] [underscored by bass, electric drums, and electric keyboard].
06:54 - 07:27
Bass, electric drums, electric keyboard.
07:27 - 08:44
Continues piece.
08:36 - 08:36
I say "c'était Philippe Soupault" (transl: "it was Philippe Soupault" - the Surrealist poet). Because the last line of the song/poem was a quote of his: "Je plonge dans la joie, il y a encore tant de gens à assassiner")
08:44 - 08:46
Applause.
08:46 - 08:49
C’etait Philippe Soupault [speech overlaps briefly with beginning of next piece]
08:49 - 09:20
Electric drums, synth, and other electronic sounds.
08:50 - 08:50
Title: Everybody
09:20 - 11:42
Performs "Everybody", sings [English] [underscored by electric drums, synth, and other electronic sounds.
11:42 - 11:44
Merci, merci [speech overlaps with end of music].
11:44 - 11:46
Applause and cheers.
11:46 - 11:50
Cuts out, light static [possible tape change].
11:50 - 11:55
Applause and cheers resume.
11:55 - 11:58
Room noise.
11:58 - 12:04
Electric drums and synth.
12:01 - 12:01
Title: Ignoring The Future Today
12:04 - 12:22
Musique du Boys du Severe qui vont jouer Vendredi soir… et a la voie Josee Thibeault vendredi soir ici meme au… au Foufounes Electriques [over top of music]
12:22 - 12:30
Electric drums, synth, electric keyboard.
12:24 - 12:24
Music composed by Jean-Luc Bonspiel.
12:30 - 16:19
Performs "Ignoring the Future Today", speaks rhythmically [English] [underscored by electric drums, synth, and electric keyboard].
16:19 - 16:24
Continues "Ignoring the Future Today" [no underscore].
16:19 - 16:19
Fades out.
16:24 - 16:25
Thank you.
16:25 - 16:34
Applause and cheers.
16:34 - 16:35
Silence.
16:35 - 16:46
Merci, merci, merci, merci. Il faut comprendre que, il faut comprendre que j’aimerais ca pouvoir ecrire en francais, mais j’ecris en anglais, bon,
16:46 - 16:56
Applause and cheers.
16:56 - 16:56
[End of recording].