Daniel Guimond at Ultimatum Festival 1985-05-01
The following is a transcription of Daniel Guimond’s performance at the Ultimatum Festival I, Wednesday, May 1st, 1985 at the Foufounes Électriques bar and performance space in Montréal, Quebec, Canada. Guimond performs poetry with underlying electric music, recorded sounds, and vocals in English and French. Guimond is a writer and multidisciplinary artist from Montréal. Some of his publications include the novel Pourquoi cela n'arrive qu'a moi ? (1999) and four poetry collections (1997, 1991, 1989, 1978). In his memoir High Friends in Low Places (2022), Alan Lord mentions Guimond’s punk zine SCRAP and his poetry which he performed while “being whipped” (p.52).
Annotations
00:00 - 00:00
Montreal poet Daniel Guimond was very provocative. In the late 70’s he gave performances dressed in S&M gear, reading his texts while being whipped. He also produced one of the first punk poezines, called SCRAP.
00:00 - 00:33
High pitched ringing and background percussion.
00:33 - 00:44
Silence [cuts out].
00:44 - 01:10
Performs piece [recites English poem atop recorded overlapping French and English vocals, feedback hum present throughout].
01:10 - 01:20
Continues piece with low percussive sound in background.
01:20 - 02:14
Cuts out, static [possible tape change].
02:14 - 02:23
Static and electrical hum.
02:23 - 02:30
Continues piece.
02:30 - 04:38
Continues piece with low percussive sound in background.
04:38 - 04:42
Continues piece with musical underscore [electronic music].
04:42 - 05:07
Continues piece.
05:07 - 05:19
Continues piece with musical underscore [electronic music].
05:19 - 06:19
Continues piece.
06:19 - 06:22
Microphone feedback and shuffling.
06:22 - 06:29
Silence.
06:29 - 07:25
Melodic beat [rhythmic sounds, vocals overlap].
07:25 - 07:56
Beat continues, pre-recorded speaker recites poetry [English].
07:56 - 07:59
Microphone taps.
07:59 - 10:46
Performs piece [recites French poem atop music and recorded poetry].
10:46 - 10:47
Abrupt cut.
10:47 - 10:56
Room noise.
10:53 - 10:56
Static buzz transforms into electronic beat.
10:56 - 12:34
Continues piece atop electronic beat.
12:34 - 13:37
Recorded English vocals become more prominent atop recorded French vocals and electronic beat.
13:37 - 13:40
Recorded English and French vocals continue, electronic beat drops out.
13:40 - 14:56
Electronic beat resumes, recorded English and French vocals continue.
14:36 - 14:56
Continues piece.
14:56 - 15:01
Continues piece, electronic beat and recorded vocals fade out.
15:01 - 15:02
Room noise.
15:02 - 15:13
Continues piece.
15:13 - 15:20
Cacophonous electronic sounds [water, scrubbing, dog yapping].
15:20 - 15:38
Continues piece.
15:38 - 15:54
Continues piece, barely audible atop recorded water sounds [violent bubbling and gushing, possibly man drowning].
15:54 - 15:58
Continues piece.
15:58 - 16:05
Water sounds resume.
16:05 - 16:09
Continues piece.
16:09 - 16:13
Water sounds resume.
16:13 - 16:16
Cuts out, silence.
16:16 - 16:21
High pitched ringing sound and electronic beat.
16:21 - 18:27
Performs piece [French].
16:31 - 18:27
Continues piece atop sporadic pre-recorded French vocals [occasional feedback].
18:27 - 18:29
On recommence d’ici un peu.
18:29 - 20:03
Resumes piece atop sporadic pre-recorded French vocals.
20:03 - 20:11
J’ai pas [unintelligible], c’est correct. Incor–j’ai meme pas eu le temps de le tapper. [Starts to resume performance] Incontenable. Non. Ouais.
20:11 - 20:18
Resumes piece.
20:18 - 21:40
Continues piece atop electronic music and pre-recorded English vocals.
21:40 - 22:50
Electronic music and pre-recorded vocals [music gets progressively louder, vocals are unintelligible].
22:50 - 24:05
Distorted electric guitar, synth, and other electronic sounds [blown out synth, cut up tracks, lasers].
24:05 - 26:56
Music continues with barely intelligible recorded vocals.
26:56 - 26:56
Cuts out, silence.
26:56 - 30:44
Ominous synth track, various electronic sounds, overlapping pre-recorded vocals [French and English].
30:44 - 31:02
Pre-recorded vocals continue interrupted sporadically by various electronic sounds.
31:02 - 32:23
Electronic beat enters, pre-recorded vocals and sporadic interruptions continue.
32:23 - 32:29
Cuts out, silence [possibly stopped recording].
32:29 - 32:29
[End of recording].