The Ultimatum Festival I, May 1985

Geneviève Letarte at Ultimatum Festival 1985-05-01

The following is a transcription of Genevieve Letarte’s performance at Ultimatum, Wednesday, May 1st, 1985 at the Foufounes Électriques bar and performance space in Montréal, Quebec, Canada. Letarte is an interdisciplinary artist from Montréal, writing under various modes and capacities: she is the author of four novels, among them, Souvent la nuit tu te reveilles (2002) and Les Vertiges Molino (1996), a poet, singer and songwriter. Her most recent publication is a poetry collection entitled Mes Ailleurs (2020). Her performances often combine text, song and music, as does the following multimodal performance from Ultimatum ’85, which mixes sound, song and poetry. The Ultimatum LP features "Petite Nuage et Betelgeueuse" from this set, with electronic percussion by Bernard Poirier, music by Trafic D’Influences, synthesizer and trombone by Claude Saint-Jean, and word and voice by Genevieve Letarte.

00:00 / 00:00

Annotations

00:00 - 00:13

Audio Description

Static, crackling, drumbeat.

Recording
Music

00:00 - 00:00

Alan Lord Commentary

Montréal artist Geneviève Letarte is the author of several novels, of which “Soleil Rauque” (“Hoarse Sun”) was the most acclaimed. She also published a collection of poetry, and has recorded two albums of songs.

Biographical Context

00:13 - 01:36

Audio Description

Drumbeat continues, distorted electric guitar, electronic sounds, trombone.

Music

01:17 - 01:17

Alan Lord Commentary

During her performance she sings through window drapes hanging on a rod over her head, which she pushes apart, to be seen.

Event Description

01:36 - 02:53

Audio Description

Performs "Petite Nuage et Betelgeueuse", recites poetry and vocalizes atop distorted electric guitar, electronic sounds, and trombone.

Genevieve Letarte
Music

02:45 - 02:45

Alan Lord Commentary

The musicians accompanying her are: Bernard Poirier: Guitar, bass, percussion, and Claude Saint-Jean: Synthesizer, trombone.

Event Description

02:53 - 03:11

Audio Description

Electronic percussion, synth, electric guitar, and keyboard.

Music

03:11 - 07:54

Audio Description

Continues "Petite Nuage et Betelgeueuse", speaks rhythmically and sings atop electronic percussion, synth, electric guitar, and keyboard.

Genevieve Letarte
Music

03:47 - 03:47

Alan Lord Commentary

The song “Petit Nuage et Betelgeuse” is on the Ultimatum documentary vinyl LP.

External Resource

07:54 - 08:11

Audio Description

Static, high- and low-pitched ringing.

Music

08:11 - 08:57

Audio Description

Continues "Petite Nuage et Betelgeueuse", speaks atop static, and high- and low-pitched ringing.

Genevieve Letarte
Music

08:57 - 09:17

Audio Description

Static, electronic sounds, ringing, synth melody.

Music

09:17 - 10:37

Audio Description

Continues "Petite Nuage et Betelgeueuse" atop high-pitched ringing and synth melody.

Genevieve Letarte
Music

10:37 - 11:01

Audio Description

Electronic sounds, synth.

Music

11:01 - 14:27

Audio Description

Continues "Petite Nuage et Betelgeueuse", musical underscore shifts, electric guitar, electronic ringing sounds, percussion, synth, bass, trombone.

Genevieve Letarte
Music

14:27 - 14:46

Audio Description

Guitar, bass, trombone.

Music

14:46 - 17:48

Audio Description

Continues "Petite Nuage et Betelgeueuse", speaks and sings, musical underscore shifts, guitar, bass, trombone, keyboard, synth.

Genevieve Letarte
Music

17:48 - 17:51

Audio Description

Cuts out, silence.

Recording

17:51 - 18:03

Audio Description

Synth, bass, trombone, cow bell.

Music

18:03 - 21:40

Audio Description

Continues "Petite Nuage et Betelgeueuse", speaks and sings atop synth, bass, trombone, and cow bell.

Genevieve Letarte
Music

21:40 - 21:48

Audio Description

Applause and cheers.

Audience

21:48 - 21:49

Audio Description

Merci.

Unknown Speaker

21:49 - 21:53

Audio Description

Applause.

Audience

21:53 - 22:02

Audio Description

Cuts out, low static and buzz.

Recording

22:02 - 22:02

Audio Description

[End of recording].

END

Project By: Maia Harris, Emily Stuchbery
This site was generated by AVAnnotate