The Ultimatum Festival I, May 1985

Jean-Paul Curtay at Ultimatum Festival 1985-05-05

The following is a transcription of the Jean-Paul Curtay set at Ultimatum I , Sunday, May 5th, 1985 at the Foufounes Électriques bar and performance space in Montréal, Quebec, Canada. The Ultimatum festival program lists the performance as "Sound Super Writing." Curtay was a member of the French avant-garde Lettrist movement and provided vital sonic and written contributions to its exegesis (see: Body Music and Hypegraphic Music). In his memoir High Friends in Low Places (2022), Alan Lord describes how, in this performance, Curtay wraps his mouth around the microphone "like a cock" to produce the sounds of his Sound Super Writing (127). The recording ends with an audio excerpt of the film "Framed" by Montreal filmmaker Napoleon Moffat, the go-between Curtay’s set and the John Giorno band.

00:00 / 00:00

Annotations

00:00 - 00:01

Audio Description

Room noise.

Foufounes Electriques

00:00 - 00:00

Alan Lord Commentary

Jean-Paul Curtay is a French visual artist, writer, video artist, poet, and Lettrist choreographer born in 1951. He is the inventor of “bodily music” and “hypergraphic music.” In painting, his primary mode of expression is hypergraphy (the use of the sign as the sole represented object).

Biographical Context

00:01 - 03:07

Audio Description

Performs sound piece [mixture of live and recorded sounds: slamming, off-beat clapping, barking, laughter, human voices, stomping, mouth sounds, tapping, crackling].

Jean-Paul Curtay
Recorded Sound

01:35 - 01:35

Alan Lord Commentary

He is the author of the first anthology of Lettrist poetry, which he published in 1974. One of his pastels is part of the collection

Biographical Context

02:54 - 02:54

Alan Lord Commentary

Very active in the Lettrist scene beginning in 1967, he began to distance himself from the group around 1978. He ceased all public creative activity in 1988. Jean-Paul Curtay is also known as a physician specializing in nutritional therapy and herbal medicine.

Biographical Context

03:07 - 03:17

Audio Description

Room noise.

Foufounes Electriques

03:17 - 03:20

Audio Description

Microphone feedback.

Tech

03:20 - 03:24

Audio Description

Room noise.

Foufounes Electriques

03:24 - 04:36

Audio Description

Performs sound piece [vocalizes][microphone feedback throughout].

Jean-Paul Curtay

04:36 - 04:43

Audio Description

Performs sound piece [trickling sound].

Jean-Paul Curtay
Recorded Sound

04:43 - 04:45

Audio Description

Room noise.

Foufounes Electriques

04:45 - 05:42

Audio Description

Continues sound piece [mouth sounds, microphone feedback].

Jean-Paul Curtay

05:42 - 05:43

Audio Description

Microphone feedback.

Tech

05:43 - 05:55

Audio Description

Room noise.

Foufounes Electriques

05:55 - 06:54

Audio Description

Resumes sound piece [tapping and clapping sounds].

Jean-Paul Curtay

06:54 - 07:06

Audio Description

Room noise.

Foufounes Electriques

07:06 - 08:10

Audio Description

Resumes sound piece [mouth sounds][left ear, right ear].

Jean-Paul Curtay

08:12 - 08:17

Audio Description

Speakers popping.

Tech

08:17 - 08:21

Audio Description

Continues sound piece.

Jean-Paul Curtay

08:21 - 08:23

Audio Description

Speakers popping.

Tech

08:23 - 10:18

Audio Description

Continues sound piece.

Jean-Paul Curtay

10:18 - 10:23

Audio Description

Room noise.

Foufounes Electriques

10:23 - 10:40

Audio Description

Applause.

Audience

10:40 - 15:39

Audio Description

Performs sound piece [accompanied by recorded sounds: computer noises, baby crying, humming, gurgling, horn, high pitched gibberish].

Jean-Paul Curtay
Recorded Sound

15:39 - 15:41

Audio Description

Silence [cuts out].

Recording

15:41 - 21:13

Audio Description

Resumes sound piece.

Jean-Paul Curtay
Recorded Sound

21:13 - 21:24

Audio Description

Room noise.

Foufounes Electriques

21:24 - 27:04

Audio Description

Performs sound piece [accompanied by recorded sounds: whispering, gurgling, metallic grinding, bird calls, human voices].

Jean-Paul Curtay

27:04 - 27:08

Audio Description

Microphone feedback.

Tech

27:08 - 27:10

Audio Description

Continues sound piece [accompanied by recorded sounds: whispering, gurgling, metallic grinding, bird calls, human voices].

Jean-Paul Curtay
Recorded Sound

27:10 - 27:11

Audio Description

Chatter and whistling.

Audience

27:11 - 27:14

Audio Description

Continues sound piece [shouting].

Jean-Paul Curtay

27:14 - 27:24

Audio Description

Shouting [unintelligible] and laughter.

Audience

27:24 - 27:29

Audio Description

Performs sound piece [metallic trinkle sounds].

Jean-Paul Curtay
Recorded Sound

27:29 - 27:30

Audio Description

Coughing.

Audience Member

27:30 - 27:43

Audio Description

Continues sound piece [accompanied by recorded sounds:chugging, lasers].

Jean-Paul Curtay

27:43 - 27:48

Audio Description

Applause.

Audience

27:48 - 28:00

Audio Description

Continues sound piece [louder, whispering].

Jean-Paul Curtay
Recorded Sound

28:00 - 28:05

Audio Description

Applause.

Audience

28:05 - 28:12

Audio Description

Fades out sound piece, sound quality more distant.

Jean-Paul Curtay
Recorded Sound

28:12 - 28:18

Audio Description

Room noise.

Foufounes Electriques

28:18 - 28:19

Audio Description

Microphone crackle.

Tech

28:19 - 28:32

Audio Description

Bon, Bon soooooooooooir [modulation], bon soir! [left ear] En attendan the John Giorno baaaaaaaand [echo: baaaand][right ear].

Alan Lord

28:32 - 28:34

Audio Description

Applause.

Audience

28:32 - 29:02

Audio Description

Pendent que les techniciens vont defiler le renfilage et vice versa [echo], on va visioner le film de Napoleon Moffat qui s’appelle Framed-d. Qui est originalement un super huite qui a ete transfer a trois–three quarter inch, trois quarts video. C’est un film excellent pis un des meilleures… Pour cinq minutes vous avez le poesie visuel plein de geule, okay? [left ear bias, right ear echo].

Alan Lord

29:02 - 29:57

Audio Description

Chatter, soft clapping.

Audience

29:57 - 30:34

Audio Description

Napoleon Moffat’s "Framed" starts [piano music].

Napoleon Moffat
Music

30:34 - 31:01

Audio Description

Film continues [speech: There are spaces that live within us. Spaces which occupy the frame. The transparency of their names. A terrible tragedy that haunts their walls. The revelation of their fiction. Of something which might of happened but that never really occurred].

Napoleon Moffat
Unknown Performer
Music

31:01 - 31:46

Audio Description

Film continues [piano music].

Napoleon Moffat
Music

31:46 - 31:46

Audio Description

[End of recording].

END

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