The Ultimatum Festival I, May 1985

Mario Campo at Ultimatum Festival 1985-05-01

The following is a transcription of Mario Campo’s performance at Ultimatum I, Wednesday, May 1st, 1985 at the Foufounes Electriques. Campo performs, sings, and chants to musical accompaniment. In his memoir High Friends in Low Places (2022), Alan Lord writes how Campo first appeared onstage dressed in the head of an extraterrestrial, later changing into Bedouin headdress to perform “Arabesque,” the piece featured from 00:06:09 to 00:08:38 in this recording. “Arabesque” is included in the Ultimatum LP, which lists music and bass by Alan Lord, electronic percussion by Jean-Martin Mignault, vocals by Zilon and words and voice by Mario Campo. The performance is further referenced on Campo’s website, under the ‘biographie’ section, which provides a narrative account of his literary activities. Campo was a writer and poet involved with several alternative scenes, among some of his publications are the collections L’Anovulatoire (1978) and Coma Laudanum (1979). To access some of these writings and learn more about his biography, see his website dedicated to his art and memory, created by Alan Lord and Pierre Zovilé.

00:00 / 00:00

Annotations

00:00 - 00:07

Electronic beat with modulations.

Music

00:07 - 02:27

Performs on top of electronic beat [French].

Mario Campo

02:27 - 02:28

Room noise.

Foufounes Electriques

02:28 - 02:55

Rhythmic percussion [synthesizer modulations].

Music

02:55 - 04:32

Performs on top of rhythmic percussion and synthesizer modulations.

Mario Campo

04:32 - 04:34

Microphone feedback.

Tech

04:34 - 04:38

Room noise.

Foufounes Electriques

04:38 - 04:46

Applause.

Audience

04:46 - 04:49

Room noise.

Foufounes Electriques

04:49 - 04:50

Coughing.

Audience Member

04:50 - 05:03

Room noise.

Foufounes Electriques

05:03 - 06:09

Rhythmic beat and bassline to "Arabesque" begin.

Music

06:09 - 08:28

Performs "Arabesque."

Mario Campo

08:28 - 08:38

Coughing, applause.

Audience

08:38 - 08:49

Room noise [shuffling].

Foufounes Electriques

08:49 - 09:24

Rhythmic percussive beat [electric guitar overlay].

Music

09:24 - 13:10

Performs piece on top of percussive beat [English and French].

Mario Campo

13:10 - 13:23

Applause [whistling].

Audience

13:23 - 13:26

Silence [possibly end of tape].

Recording

13:26 - 13:26

[End of recording].

END

Project By: Maia Harris, Emily Stuchbery
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